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331.
Engage Hamas: A Social Movement Theory Analysis of the Islamic Resistance Movement
by Lugo, Carlos D., M.A.  The American University of Paris (France). 2011: 92 pages; 10305799.
332.
A Performance Guide to Mandarin-Chinese Diction and Selected Art Songs by Yiu-Kwong Chung
by Sun, Yung-Wei, D.M.A.  The Ohio State University. 2012: 118 pages; 10631287.
335.
Beyond the binary: Identity, subjectivity, and the sexual borderlands
by Callis, April Scarlette, Ph.D.  Purdue University. 2011: 280 pages; 3479320.
336.
What's in a name? An artistic deconstruction of our public monuments
by Goodyear, Will, M.F.A.  East Carolina University. 2010: 34 pages; 1484092.
337.
No Homo: A new musical in response to California's Proposition Eight
by Ukes, Kyle Ryan, M.M.  California State University, Long Beach. 2011: 41 pages; 1504558.
339.
Ferdinand Ries and the concerted fantasy
by Eklund, Jennifer Lynn, M.A.  California State University, Long Beach. 2010: 188 pages; 1486306.
340.
341.
Synthesis and Evaluation of Novel Inhibitors of the Non-Mevalonate Pathway (MEP)
by Mancini, Giulia, Ph.D.  University of the Sciences in Philadelphia. 2020: 275 pages; 28258790.
342.
Spin chemistry of photoexcited melanin
by Marino, Anthony R., Ph.D.  The University of Chicago. 2009: 189 pages; 3387056.
343.
Understanding "Omaramor": An analysis of Golijov's tribute to Carlos Gardel
by Kieme, Roxanne, M.M.  California State University, Long Beach. 2017: 32 pages; 10251734.
345.
A performer's guide to Howard Hanson's “Four Poems (Poèmes érotiques)”, Opus 9
by Chin, Shuo-Hua, M.M.  California State University, Long Beach. 2009: 28 pages; 1481612.
346.
An Artistic Approach to Breath Control on Clarinet through the Transcription of Sarasate's Carmen Fantasie
by Demarjian, Melissa K., M.M.  California State University, Long Beach. 2019: 35 pages; 13859574.
347.
From Albéniz to Arbós: The orchestration of “Iberia”
by Carlson, Lindsey, M.A.  University of Maryland, College Park. 2010: 106 pages; 1478121.
348.
Photochemistry of Pyridazine N-oxides: A Versatile Tool for Heterocycle Synthesis
by Borger, Maribel, Ph.D.  The Florida State University. 2019: 379 pages; 13812175.
349.
Unusual Natural Products: Lessons Learned in Pursuit of KS-504d and Curvulamine
by Atwood, Brian Ross, Ph.D.  University of California, Irvine. 2018: 473 pages; 10936182.
351.
Chappie Willet and popular music arranging in Swing Era New York
by Wriggle, John D., Ph.D.  City University of New York. 2011: 355 pages; 3477515.
352.
Pianists and Bach: A Performance proposal for the Fourth Prelude and Fugue from “The Well-Tempered Clavier,” book I
by Lombardino, Marc Rene, M.M.  California State University, Long Beach. 2012: 37 pages; 1520870.
354.
Using direct measurements of submarine groundwater discharge to investigate the coupling between surface and pore waters
by Rapaglia, John Paul, Ph.D.  State University of New York at Stony Brook. 2008: 247 pages; 3337621.
356.
Women in the Spotlight: A Survey of Female Choral Composers for Middle and High School Choirs
by Barber, Holly, M.M.  California State University, Los Angeles. 2017: 183 pages; 10618445.
357.
Piano music of Elisenda Fábregas: A stylistic analysis
by Park, Jinha, D.M.A.  University of South Carolina. 2013: 126 pages; 3561836.
358.
Expanded Meter and Hemiola in Baden Powell's Samba-Jazz
by Guerra, Stephen Paul, Ph.D.  Yale University. 2018: 285 pages; 10957326.
359.
Copper-catalyzed enantioselective difunctionalization of alkene reactions: Aminohalogenation and carboetherification
by Bovino, Michael Thomas, Ph.D.  State University of New York at Buffalo. 2014: 277 pages; 3612929.
360.
Abstraction, recursive meta-structures, and collage as a compositional method for deconstructed source material
by Lovitch, Zachary Alexander, M.M.  California State University, Long Beach. 2012: 85 pages; 1520871.
331 - 360 of 934 displayed.
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