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Beethoven’s Egmont, Count Egmont: An Imaginary Reading of Beethoven’s Overture
by Williams, Matthew, Ph.D.  State University of New York at Buffalo. 2021: 135 pages; 28314929.
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Choral Music of the Dominican Republic: Its Impact in the Last 80 Years
by Disla, Edwin Samuel, M.M.  California State University, Los Angeles. 2020: 113 pages; 28088727.
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A Community-Driven Musical Syntax: Collaboration and Momentum in Guinean Malinke Dance Drumming
by Nicely, Tiffany M., Ph.D.  State University of New York at Buffalo. 2021: 242 pages; 28315212.
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Desperate Measures: Recording of the Complete Piano Works of Robert Muczynski
by Samogray, Dmitry Aleksandr, D.M.A.  University of Maryland, College Park. 2020: 34 pages; 27737748.
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A Thirteen-Week Performance Practice Routine for Students Majoring in Piano
by Wang, Jierong, M.A.  Northeastern Illinois University. 2020: 54 pages; 28256195.
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Fitzmaurice Voicework: An Application for Musical Theatre Voice Training
by Coleman, Emily A., M.F.A.  California State University, Long Beach. 2020: 36 pages; 27835551.
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Translating Bülent Ersoy’s Stylized Gender Performances in The End of Fame: A Case Study
by Susel, Kumru, Ph.D.  State University of New York at Binghamton. 2019: 195 pages; 13865557.
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Petroleum Performances
by Drum, Duskin William, Ph.D.  University of California, Davis. 2017: 305 pages; 10268402.
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Faithful/Traitor: Violence, Nationalism, and Performances of Druze Belonging
by Pullum, Lindsey Brooke, Ph.D.  Indiana University. 2020: 240 pages; 28022098.
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Moments of Play: Uncovering the Performances of Videogame Play
by Hanford, Nicholas A., Ph.D.  Rensselaer Polytechnic Institute. 2017: 296 pages; 10682415.
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Approximating application performances in cloud data centers and simulated machines
by Islam, Mohammad Shahedul, Ph.D.  The University of Texas at San Antonio. 2016: 113 pages; 10249769.
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Relationship between the use of Information Technology (IT) and performances of Human Resources Management (HRM)
by Lee, Irene A., D.B.A.  Alliant International University, San Diego. 2008: 330 pages; 3308932.
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Demonstrating ACT UP: The ethics, politics, and performances of affinity
by Levine, Debra, Ph.D.  New York University. 2012: 506 pages; 3524167.
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Interactive Sonification Strategies for the Motion and Emotion of Dance Performances
by Landry, Steven, Ph.D.  Michigan Technological University. 2019: 194 pages; 22585377.
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The announcement effects and the long-run performances of convertible bond issuances
by Xie, Wei, M.Sc.  Singapore Management University (Singapore). 2009: 117 pages; 1478880.
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Restoring Britain: Performances of Stuart succession in Dublin, Edinburgh, and London
by O'Rourke, Deirdre, Ph.D.  University of Pittsburgh. 2014: 268 pages; 3582730.
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A Rhetorical Analysis of Hegemonic and Counterhegemonic Performances in World Wrestling Entertainment (WWE)
by Ohlsen, David Blond, M.A.  California State University, Long Beach. 2017: 93 pages; 10604427.
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The effects of projected films on singers' expressivity in choral performance
by Keown, Daniel J., Ph.D.  University of Missouri - Kansas City. 2013: 275 pages; 3588454.
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Ritual into play: The aesthetic transformations of Qing court theatre
by Chen, Liana, Ph.D.  Stanford University. 2009: 238 pages; 3364496.
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Three Papers on the Sociology of Initial Public Offerings (IPOs)
by Liu, HuiGuo, Ph.D.  Indiana University. 2017: 114 pages; 10688197.
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