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1.
Cinematic realism and independent filmmaking in China
by Yang, Mei, Ph.D.  University of Oregon. 2011: 327 pages; 3466392.
2.
Overcoming the industry driven barriers to the creation of black independent film
by Jiles, Tara R., Ed.D.  Pepperdine University. 2013: 228 pages; 3600313.
4.
Queer Film Representations in India: From Reel Moments to Real Moments
by Jose, A. M. M. Betsy, Ph.D.  Indiana University. 2018: 241 pages; 10811753.
6.
Class and Gender Representation in Nollywood Movies
by Dossoumon, Mafoya, M.S.  Southern Illinois University at Edwardsville. 2013: 106 pages; 1549813.
8.
Molecular potentials in organic thin films for electronic devices
by Topham, Benjamin J., Ph.D.  Princeton University. 2012: 200 pages; 3522562.
9.
Pocket Monsters: The Potential Power of Pocket Films, and the Birth of Pocket Cinema
by James-Erickson, Luke Hunter, M.H.  University of Colorado at Denver. 2017: 104 pages; 10289396.
10.
Sustaining feminist film cultures: An institutional history of Women Make Movies
by Fallica, Kristen M., Ph.D.  University of Pittsburgh. 2013: 302 pages; 3577178.
11.
Deposition, Oxidation, and Adhesion Mechanisms of Conformal Polydopamine Films
by Klosterman, Luke J., Ph.D.  Carnegie Mellon University. 2016: 138 pages; 10169183.
12.
Investigation of Organic Thin Films for Application in Electro-optic Devices
by Jobanputra, Manish C., M.S.  University of Cincinnati. 2002: 88 pages; 10857218.
13.
Numerical simulation of stress generation and whisker growth in tin films
by Buchovecky, Eric J., Ph.D.  Brown University. 2010: 152 pages; 3430162.
14.
Wrinkling of elatic thin films on compliant substrates
by Im, Se Hyuk, Ph.D.  The University of Texas at Austin. 2009: 206 pages; 3543776.
15.
Self-assembly of thin films for localized gene delivery systems
by Blacklock, Jenifer L., Ph.D.  Wayne State University. 2009: 196 pages; 3368462.
16.
Three empirical essays on industries with creative content
by Molin, David Adam, Ph.D.  Harvard University. 2009: 98 pages; 3385545.
17.
Fracture and fatigue of ultrathin nanoporous polymer films
by Kearney, Andrew V., Ph.D.  Stanford University. 2008: 128 pages; 3313821.
18.
Negotiating the non-narrative, aesthetic and erotic in New Extreme Gore
by Weissenstein, Colva, M.A.  Georgetown University. 2011: 128 pages; 1491589.
20.
Trap depth dependence on deposition temperature in copper phthalocyanine thin films from photocurrent
by Guerra, Jorge L., M.Sc.  California State University, Long Beach. 2012: 168 pages; 1517636.
21.
Quantum Critical Behavior in the Superfluid Density of High-Temperature Superconducting Thin Films
by Hetel, Iulian N., Ph.D.  The Ohio State University. 2008: 116 pages; 10630994.
23.
Fast Scanning Calorimetry Studies of Supercooled Liquids and Glasses
by Bhattacharya, Deepanjan, Ph.D.  The George Washington University. 2015: 201 pages; 3646950.
25.
The Dawn of Cinematic Modernism: Iwanami Productions and Postwar Japanese Cinema
by Tsunoda, Takuya, Ph.D.  Yale University. 2015: 319 pages; 10013030.
27.
Effect of conformational change on nanoscale friction behavior of organic thin films
by Kanaga Subramanian, Kanaga Karuppiah, Ph.D.  Iowa State University. 2008: 188 pages; 3343999.
29.
Scum Cinema: America Through the Eyes of the Exploitation Film
by Benash, W. Richard, M.A.L.S.  Dartmouth College. 2019: 797 pages; 13879566.
30.
Censorship and Holocaust film in the Hollywood studio system
by Halbgewachs, Nancy Copeland, Ph.D.  The University of New Mexico. 2011: 236 pages; 3499299.
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