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1.
Cinematic realism and independent filmmaking in China
by Yang, Mei, Ph.D.  University of Oregon. 2011: 327 pages; 3466392.
2.
Overcoming the industry driven barriers to the creation of black independent film
by Jiles, Tara R., Ed.D.  Pepperdine University. 2013: 228 pages; 3600313.
3.
Class and Gender Representation in Nollywood Movies
by Dossoumon, Mafoya, M.S.  Southern Illinois University at Edwardsville. 2013: 106 pages; 1549813.
7.
Molecular potentials in organic thin films for electronic devices
by Topham, Benjamin J., Ph.D.  Princeton University. 2012: 200 pages; 3522562.
8.
Personal values of protagonists in best pictures and blockbusters 1996–2005
by Beckwith, Douglas Charles, Ph.D.  Saybrook University. 2007: 237 pages; 3418940.
9.
Pocket Monsters: The Potential Power of Pocket Films, and the Birth of Pocket Cinema
by James-Erickson, Luke Hunter, M.H.  University of Colorado at Denver. 2017: 104 pages; 10289396.
10.
Queer Film Representations in India: From Reel Moments to Real Moments
by Jose, A. M. M. Betsy, Ph.D.  Indiana University. 2018: 241 pages; 10811753.
11.
Sustaining feminist film cultures: An institutional history of Women Make Movies
by Fallica, Kristen M., Ph.D.  University of Pittsburgh. 2013: 302 pages; 3577178.
13.
Deposition, Oxidation, and Adhesion Mechanisms of Conformal Polydopamine Films
by Klosterman, Luke J., Ph.D.  Carnegie Mellon University. 2016: 138 pages; 10169183.
16.
Investigation of Organic Thin Films for Application in Electro-optic Devices
by Jobanputra, Manish C., M.S.  University of Cincinnati. 2002: 88 pages; 10857218.
17.
Three empirical essays on industries with creative content
by Molin, David Adam, Ph.D.  Harvard University. 2009: 98 pages; 3385545.
18.
Self-assembly of thin films for localized gene delivery systems
by Blacklock, Jenifer L., Ph.D.  Wayne State University. 2009: 196 pages; 3368462.
19.
Cinema 3.0: How digital and computer technologies are changing cinema
by Daly, Kristen M., Ph.D.  Columbia University. 2008: 265 pages; 3305212.
20.
Kinna-Uganda: A review of Uganda's national cinema
by Rasmussen, Kristin Alexandra, M.A.  San Jose State University. 2010: 117 pages; 1488151.
21.
Negotiating the non-narrative, aesthetic and erotic in New Extreme Gore
by Weissenstein, Colva, M.A.  Georgetown University. 2011: 128 pages; 1491589.
22.
Wrinkling of elatic thin films on compliant substrates
by Im, Se Hyuk, Ph.D.  The University of Texas at Austin. 2009: 206 pages; 3543776.
23.
Quantum Critical Behavior in the Superfluid Density of High-Temperature Superconducting Thin Films
by Hetel, Iulian N., Ph.D.  The Ohio State University. 2008: 116 pages; 10630994.
24.
Bohemian Enterprises: Modernism, Creative Labor, and Cultural Production, 1913-1962
by Wilton, Jessica E., Ph.D.  Carnegie Mellon University. 2016: 332 pages; 10675117.
25.
Translating Contemporary Japanese Culture: Novels and Animation
by Haga, Tadahiko, Ph.D.  State University of New York at Stony Brook. 2012: 220 pages; 3519050.
26.
Fast Scanning Calorimetry Studies of Supercooled Liquids and Glasses
by Bhattacharya, Deepanjan, Ph.D.  The George Washington University. 2015: 201 pages; 3646950.
28.
The effects of gravity and thermal gradient on the drying processes in porous media
by Tajer, Seyed Ehsan, Ph.D.  University of Southern California. 2011: 120 pages; 3466112.
29.
Scum Cinema: America Through the Eyes of the Exploitation Film
by Benash, W. Richard, M.A.L.S.  Dartmouth College. 2019: 797 pages; 13879566.
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