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122.
Intensive dramaturgical research facilitated the creation of the character Soran Saleen in “The Poetry of Pizza”
by Mehmeti, Arber, M.S.  California State University, Long Beach. 2010: 10 pages; 1486661.
123.
Radiating atmospheres: The creation of the role of Heino Andersen in “The Poetry of Pizza”
by Hall, Kyle Bryan, M.F.A.  California State University, Long Beach. 2010: 9 pages; 1486420.
124.
“That music always round me”: 21st century choral settings of the poetry of Walt Whitman
by Hunn, Amy Stuart, D.M.A.  University of Southern California. 2012: 260 pages; 3514188.
125.
Love, Gender and Reception in Double Seventh Literature
by Friends, Mary Ellen, Ph.D.  Yale University. 2019: 305 pages; 13809352.
126.
The Creation of Poets: How Poetery Slam Effects Literacy Development and Identity in Young Writers
by Bishop, Douglas, Ed.D.  University of Massachusetts Lowell. 2019: 216 pages; 13861792.
129.
A discussion of Jennifer Higdon's setting of the poetry of Amy Lowell in the chamber work "Love Sweet"
by Leontis, Evangelia Sophia, D.M.A.  The University of North Carolina at Greensboro. 2017: 70 pages; 10263740.
131.
Conceptions of Nature in Nynorsk Poetry: Local Language and Situated Knowledge in Ivar Aasen, Olav Nygard, and Aslaug Vaa
by Coughlin, Jenna M., Ph.D.  University of California, Berkeley. 2017: 166 pages; 10621058.
132.
Ecopoetry and ecocentrism: The poetics of Wallace Stevens and William Carlos Williams
by Nolan, Sarah A., M.A.  California State University, Long Beach. 2010: 93 pages; 1486350.
134.
The poetic voice of Langston Hughes in American art song
by Lee, Albert Rudolph, Jr., D.M.  The Florida State University. 2012: 68 pages; 3519343.
136.
Aires de Sefarad: Jorge Liderman and multiculturalism in the Judeo-Spanish romancero
by van den Bogerd, Nicolette Maria Madeleine, M.A.  California State University, Long Beach. 2016: 84 pages; 10147321.
137.
Enigmatic Design and Psychomachic Monstrosity in Beowulf
by Fahey, Richard, Ph.D.  University of Notre Dame. 2019: 617 pages; 28187486.
139.
Rest, Sweet Nymphs: Pastoral origins of the English madrigal
by Van Oort, Danielle, M.A.  Marshall University. 2016: 264 pages; 10117964.
140.
John Dryden: The Old Lion in 1700
by Ernst, Winifred Watkins, Ph.D.  The University of North Carolina at Chapel Hill. 2011: 221 pages; 3464908.
141.
A guide to performance practice: “Sonnets from the Portuguese” by Libby Larsen
by Cornelius, Polly Butler, D.M.A.  The University of North Carolina at Greensboro. 2011: 58 pages; 3457531.
142.
Powering Down: Disfigurations of Authority in the Modern Era
by Rauscher, William, Ph.D.  New York University. 2011: 228 pages; 3486808.
143.
Dante and Thirteenth-Century Latin Education: Reading the Auctores Minores
by Gianferrari, Filippo, Ph.D.  University of Notre Dame. 2017: 325 pages; 13836181.
144.
Silent no more: Older adults as poets. Creative writing as a preventative approach to cognitive decline of the elderly
by Saunders, Peter Paul Kenelm Woolcock, Ph.D.  Union Institute and University. 2006: 295 pages; 3262830.
145.
"Last scientists of the Whole": The poetics and politics of deep image
by Monaco, Peter, Ph.D.  State University of New York at Albany. 2012: 218 pages; 3551095.
146.
The poetics of everyday time in Frost, Stevens, Bishop, and Merrill
by Phillips, Siobhan Katherine, Ph.D.  Yale University. 2007: 320 pages; 3293408.
147.
Modernism's Odysseys
by Culligan-Flack, Leah, Ph.D.  Northwestern University. 2009: 206 pages; 3386533.
148.
The chaos of classicism: Goethe's classicism as a feature of romanticism
by Emanuel, Bryan David, M.I.S.  Wayne State University. 2008: 81 pages; 1460263.
149.
Calling All Corpses: An Examination of the Treatment of the Dead in Old English Literature
by Troy, Jessica, Ph.D.  The University of New Mexico. 2019: 307 pages; 27543597.
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