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31.
Mozart’s “Great” Mass: Sources, History, and Performance Practice
by Smith, Elliott H. , D.M.A.  University of Notre Dame. 2019: 135 pages; 27750576.
32.
Wahrnehmung in Rom, Blicke: Rolf Dieter Brinkmanns Suche Nach Identität Und Selbstfindung
by Sitzler-Sawicki, Maria A., M.A.  University of Maryland, College Park. 2018: 100 pages; 10792690.
33.
The poetic voice of Langston Hughes in American art song
by Lee, Albert Rudolph, Jr., D.M.  The Florida State University. 2012: 68 pages; 3519343.
34.
A Rhetorical Analysis of Selected Motets of Johann Christoph Bach (1642-1703)
by Vanderlee, Jeffrey Keith, D.M.A.  The University of Arizona. 2020: 141 pages; 28314535.
35.
Studies on clothing and fashion histories from the age of German Kulturgeschichte
by Scholz, Frederun, Ph.D.  The Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture. 2015: 471 pages; 3664549.
37.
The performing practice of preluding: Johann Nepomuk Hummel's twenty-four Preludes for piano, Op. 67
by Liu, Pei-Lin, M.M.  California State University, Long Beach. 2010: 40 pages; 1486654.
38.
Embellishments of Sarabandes in the Keyboard Music of Handel and J. S. Bach: Two Case Studies
by Santos, Victor Nigri e Silva, M.M.  University of Hartford. 2019: 100 pages; 28144632.
39.
An Eco-Phenomenological Approach to Understanding Landscape
by Flórez Góngora, Camilo José, M.A.  Prescott College. 2020: 101 pages; 27955850.
40.
Stylistic approaches for oboists in the operatic works of J. Hasse
by Zatolokin, Alexander, M.M.  California State University, Long Beach. 2015: 34 pages; 1606057.
41.
Narrative strategies in Gustav Mahler's balladic “Wunderhorn” lieder
by Breckling, Molly M., Ph.D.  The University of North Carolina at Chapel Hill. 2010: 319 pages; 3427709.
42.
A Humanitarian Monster: Mizuki Shigeru and Manga as Cultural Redemption
by Takegami, Mano, M.A.  California State University, Long Beach. 2018: 77 pages; 10829947.
43.
Johann Nepomuk Hummel's Piano Etudes, Op. 125: A pedagogical analysis
by Cho, Sun-Im, D.M.A.  City University of New York. 2012: 201 pages; 3499224.
45.
Johann M. Molter's Clarinet Concerto No. 1 in a Major: Transcribed and Ornamented for E-Flat Clarinet
by Lewis, Cody R., M.M.  California State University, Long Beach. 2017: 84 pages; 10262370.
46.
Mozart's Die Zauberflöte: A Kingdom of Notes and Numbers
by Garafallo, Daemon, M.A.  Florida Atlantic University. 2016: 123 pages; 10172611.
47.
Intriguing Relationships: An Exploration of Early Modern German Prints of Relic Displays and Reliquaries
by Schlothan, Betty L., M.A.  University of California, Riverside. 2013: 155 pages; 1543222.
48.
What's Next Beyond the Text? To the World It May Concern. A Cyber Narratology of Global News
by Fischer, Annemarie, Ph.D.  State University of New York at Binghamton. 2020: 416 pages; 28260700.
49.
Was sagte dieser Schiller (damals)? Schillers Antworten auf seine Kritiker nach 1945
by Sponsel, Henrik, M.A.  California State University, Long Beach. 2010: 60 pages; 1486680.
50.
The paradox of sovereignty in modern German history plays
by Zelic, Tomislav, Ph.D.  Columbia University. 2009: 301 pages; 3348441.
52.
The SnRK1-C/S1-bZIPs Network: A Signaling Hub in Arabidopsis Energy Metabolism Regulation
by Pedrotti, Lorenzo, Ph.D.  Bayerische Julius-Maximilians-Universitaet Wuerzburg (Germany). 2015: 238 pages; 10972120.
56.
Amphibian Diversity along the Slope of Mount Kilimanjaro: From Species to Genes
by Zancolli, Giulia, Ph.D.  Bayerische Julius-Maximilians-Universitaet Wuerzburg (Germany). 2013: 133 pages; 10722071.
58.
59.
From rubble to revolutions and raves: Literary interrogations of German media ecologies
by Werbeck, Kai-Uwe, Ph.D.  The University of North Carolina at Chapel Hill. 2012: 271 pages; 3512712.
31 - 60 of 10955 displayed.
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