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92.
Three sections of applications of co-integration: Hedge funds, industry and main global equity markets
by Zhongjian, Lin, M.Sc.  Singapore Management University (Singapore). 2009: 47 pages; 1483221.
93.
Altered markers of tonic inhibition in the dorsolateral prefrontal cortex of subjects with schizophrenia
by Maldonado-Aviles, Jaime Gerardo, Ph.D.  University of Pittsburgh. 2008: 120 pages; 3322421.
100.
Embedding Threshold Concepts in a Large Lecture Course: An Examination of Uptake of Disciplinary Actions
by McGowan, Susannah Thacker, Ph.D.  University of California, Santa Barbara. 2014: 296 pages; 3637449.
101.
Musical process in selected works by Michael Torke
by Smith, Kathleen Biddick, Ph.D.  The Florida State University. 2009: 135 pages; 3388551.
102.
An argument for the use of computer simulated models in philosophy
by Rines, Jason Russell, M.A.  The University of North Carolina at Charlotte. 2015: 62 pages; 1598081.
106.
A performer's guide to Howard Hanson's “Four Poems (Poèmes érotiques)”, Opus 9
by Chin, Shuo-Hua, M.M.  California State University, Long Beach. 2009: 28 pages; 1481612.
107.
108.
Phenomenological Modeling and Laboratory Simulation of Long-Term Aging of Asphalt Mixtures
by Elwardany, Michael Dawoud, Ph.D.  North Carolina State University. 2017: 468 pages; 10758820.
110.
Large margin transformation learning
by Howard, Andrew G., Ph.D.  Columbia University. 2009: 90 pages; 3388470.
112.
Water supply potential of the Wilcox aquifers in Lafayette County, Mississippi
by Banks, John Vernon, M.S.  Mississippi State University. 2014: 99 pages; 1562741.
114.
Aberrations of anamorphic optical systems
by Yuan, Sheng, Ph.D.  The University of Arizona. 2008: 205 pages; 3331455.
115.
Subsurface Analysis of Mississippian Tripolitic Chert in Northwest Arkansas
by Liner, Thomas, M.S.  University of Arkansas. 2018: 118 pages; 10975846.
116.
The solo piano works of Henri Dutilleux: A stylistic analysis
by Suniga, Rosemarie, D.M.A.  University of South Carolina. 2011: 133 pages; 3494404.
118.
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120.
A man of two worlds: Classical and jazz influences in Nikolai Kapustin's Twenty -Four Preludes, Op. 53
by Creighton, Randall J., D.M.A.  The University of Arizona. 2009: 281 pages; 3387449.
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