Dissertation/Thesis Abstract

by Mehrmand, Elizabeth, M.F.A., University of California, San Diego, 2011, 6; 1503225
Abstract (Summary)

fauxlographic is a performative installation that takes place within an ethno-dysphoric cloning lab, where diasporic anxiety is analyzed through the process of fauxlographic cloning. The clones enact sonic rituals, singing in Farsi, English and Perz-ish [a faux diasporic language], based on multiple sources of information including embodied memories, wikileaks cables, and textual/ visual/ aural references concerning Iran and the Persia. The ethno-dysphoric scientist analyzes her dislocated subjectivity by performing a daily neurotic ritual within a glass computing chamber while wearing an EEG neuro-headset. As she neurojaculates with the clones in order to (pars)e their data streams, the diasporic computing sounds of the eeg oscillate in pitch based on her neural activity. When high levels of CO2 are detected by the lab's sensors, the clones become aware of those gazing upon them, resulting in an anxious act of erasure and multiplication of their pixellated flesh, reciprocating the affective presence of the other bodies. The use of organic sensors transforms the lab into a cyborgian spatial interface, allowing for unconscious collaboration between multiple bodies in space, confusing the somatic architecture of the performance.

Supplemental Files

Some files may require a special program or browser plug-in. More Information

Indexing (document details)
Advisor: Dominguez, Ricardo
Commitee: Alexander, Amy, Springer, Anna Joy, Trigilio, Michael
School: University of California, San Diego
Department: Visual Arts
School Location: United States -- California
Source: MAI 50/03M, Masters Abstracts International
Subjects: Fine arts
Keywords: Composition, Experimental, New media, Video
Publication Number: 1503225
ISBN: 978-1-267-07985-5
Copyright © 2021 ProQuest LLC. All rights reserved. Terms and Conditions Privacy Policy Cookie Policy