In this project, presented in partial fulfillment of the requirements for the degree of Master of Fine Arts in Theatre Arts, I will explore the boundaries between stylized strict choreography and realistic blocking through the methodology of Viewpoints. I will analyze the utility of Anne Bogart's theories through my use of them in three separate productions, Hair , Hamlet, the Artist Formerly Known as Prince of Denmark , and The Myth of Io during my studies at California State University, Long Beach.
|School:||California State University, Long Beach|
|School Location:||United States -- California|
|Source:||MAI 49/05M, Masters Abstracts International|
|Subjects:||Theater, Performing Arts|
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