The central focus of my project was derived from my personal experience as both a foreigner in the United States, and my existential views towards the human condition. Aspects of dramatic production influenced me, particularly the manner in which theatrical art investigates concepts of space and time. I incorporated two-dimensional figurative images into three-dimensional wood-block matrices to signify a stage filled with the sense of alienation. Additionally, I used symbolic colors to heighten the effects of light and shadow. The solitude of inner feelings was expressed in the images of human figures created via printmaking, to maximize the emotional and visual impact through body language and facial expressions.
|School:||California State University, Long Beach|
|School Location:||United States -- California|
|Source:||MAI 49/01M, Masters Abstracts International|
Copyright in each Dissertation and Thesis is retained by the author. All Rights Reserved
The supplemental file or files you are about to download were provided to ProQuest by the author as part of a
dissertation or thesis. The supplemental files are provided "AS IS" without warranty. ProQuest is not responsible for the
content, format or impact on the supplemental file(s) on our system. in some cases, the file type may be unknown or
may be a .exe file. We recommend caution as you open such files.
Copyright of the original materials contained in the supplemental file is retained by the author and your access to the
supplemental files is subject to the ProQuest Terms and Conditions of use.
Depending on the size of the file(s) you are downloading, the system may take some time to download them. Please be