My dissertation explores how postcolonial discourse offers an alternative theoretical framework for the literary works produced in contemporary Japan. I read the works of Murakami Haruki as cultural ethnographies of postwar Japan and apply postcolonial theories to his representations of the imperial nature of Japan's State System and the oppressed individuality in a highly controlled society.
Based on the idea that postwar Japan is controlled by Japan's indigenous imperialism, I reconstruct modern Japan's cultural formation in postcolonial discourse, applying theories of Michael Hechter, Edward Said, Homi Bhabha and Paul Gilroy. I recognize the source of Japan's imperialism in its pre-modern feudalism, which produced the foundation of today's Tokyo-centered core-periphery structure through internal colonialism. Indigenous imperialism also promoted the nation's modernization, creating a Japanese version of the West through self-imposed westernization (self-colonialism) as well as seeking colonial expansion in Asia. In postwar Japan, imperialism is hidden under the mask of democracy and its promotion of a Bildungsroman-like self-representation of modern history, to which Murakami offers counter narratives.
My examination of Murakami's works challenges the geographical boundary made by current postcolonial studies, and it also offers a new perspective on Japan's so-called postmodern writings.
|Advisor:||Gibson, Mary E.|
|Commitee:||Hart, William D., Morrissette, Noelle|
|School:||The University of North Carolina at Greensboro|
|Department:||College of Arts & Sciences: English|
|School Location:||United States -- North Carolina|
|Source:||DAI-A 71/01, Dissertation Abstracts International|
|Subjects:||Comparative literature, Asian literature|
|Keywords:||Culture, Japan, Murakami, Haruki, Postcolonial, Postmodern, Postwar|
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