Using Helon Habila's Waiting for an Angel, the author argues that third generation Nigerian writers, compared to their post-independence literary forbears, articulate a more refined representation of the artist as a social entity and of writing as a collective process precisely because they do not take the social function of African writers and writings for granted.
|Commitee:||Macgonagle, Liz, Soyinka, Omofolabo|
|School:||University of Kansas|
|School Location:||United States -- Kansas|
|Source:||MAI 48/01M, Masters Abstracts International|
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