Dissertation/Thesis Abstract

Sculpting the Soul: The Bust Portraiture of Gian Lorenzo Bernini
by Schuck, Jason Thomas, M.A., State University of New York at Stony Brook, 2019, 58; 13886858
Abstract (Summary)

Gian Lorenzo Bernini’s portraits are often celebrated for their physiological rendering and for possessing an inner psychological presence that captured the essential characteristics of each sitter. In his Trattato della Pittura, Leonardo da Vinci wrote that any successful artist should be able to accurately depict man’s bodily form as well as the intentions of his mind. For Leonardo, this mental movement could only be achieved through the physical expression of the human body.

Traditionally, Bernini is considered the artistic heir of Michelangelo Buonarroti while the link to Leonardo’s theoretical writings has yet to be firmly established. By shifting the focus to Leonardo, this paper broadens the sources of influence on Bernini while establishing a dialogue on how art theory informed his creative practice.

Excerpts from Leonardo’s Trattato della Pittura are interpreted and applied to the analysis of select busts by Bernini in order to reveal how the sculptor expressed the inner movements of his sitter’s soul in stone. These portraits span Bernini’s creative career and are used to track the development of his theoretical approach to his artistic practice.

Indexing (document details)
Advisor: Lloyd, Karen J
Commitee: Rubin, James H
School: State University of New York at Stony Brook
Department: Art History and Criticism
School Location: United States -- New York
Source: MAI 81/4(E), Masters Abstracts International
Source Type: DISSERTATION
Subjects: Art history, Art Criticism, European history
Keywords:
Publication Number: 13886858
ISBN: 9781687962690
Copyright © 2020 ProQuest LLC. All rights reserved. Terms and Conditions Privacy Policy Cookie Policy
ProQuest