Dissertation/Thesis Abstract

John de Lancie's Influence on the Modern Oboe Repertoire
by Proud, Teodora Pejasinovic, D.M.A., The University of Alabama, 2019, 42; 13811394
Abstract (Summary)

This project is a performance of three concertos for oboe by Richard Strauss, Jean Françaix, and Benjamin Lees. The recital took place on March 2, 2019, and the accompanying manuscript serves as program notes for the performance.

John de Lancie was known for his tenure with both the Curtis Institute of Music, where he served as the Professor of Oboe from 1953 to 1985, and the Philadelphia Orchestra, where he was principal oboe from 1954 to 1977. He is responsible for all three of the concertos mentioned above; he commissioned the works by Françaix and Lees, and his chance meeting with Strauss led the composer to write his Oboe Concerto. His career and connection to these works will be discussed.

The work by Lees becomes the focus of this research; it is a forgotten work that has only been performed a handful of times. This document will focus largely on the history of Lees's Concerto, its premiere, and other musical information about the piece.

Indexing (document details)
Advisor: Bailey, Mary Lindsey
Commitee: Fader, Don, Robinson, Thomas S., Schultz, Diane B., Westbrook, Philip, Yates, Eric A.
School: The University of Alabama
Department: Music
School Location: United States -- Alabama
Source: DAI-A 80/11(E), Dissertation Abstracts International
Subjects: Music
Keywords: Flower Clock, Francaix, Jean, Lees, Benjamin, Oboe, Strauss, Richard, de Lancie, John
Publication Number: 13811394
ISBN: 978-1-392-25435-6
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