This thesis unpacks my sculptural work and practice with a personal and intimate conviction. I examine the ways in which I use art as a vehicle to preserve experience and consider the changing dynamics of relationships. The work ranges from the consciously ambiguous to the highly personalized allowing the viewer multiple outlets to enter into the work. Intimacy is always the common denominator, whether the objects are arranged as such, inherently built in, or coldly withdrawn—the idea is always present.
|Commitee:||Cooper, Ivy, Dimick, Brigham, Poole-Jones, Katherine|
|School:||Southern Illinois University at Edwardsville|
|Department:||Art and Design|
|School Location:||United States -- Illinois|
|Source:||MAI 57/06M(E), Masters Abstracts International|
|Keywords:||Art, Experience, Fine art, Intimacy, Sculpture|
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