In this thesis, I explore how an informal form of discourse like sidewalk chalking functions as and within a rhetorical ecology, how ideas and texts circulate within such a complex system, and how this sometimes disruptive medium affects the potential for productive dialogue. By applying Margaret Syverson's four principles of rhetorical ecologies (distribution, embodiment, emergence, and enaction), we learn that chalking is an interconnected but informal system of sidewalk-based communication that uses playground chalk for writing or drawing messages, from art to insults, event notices to poetry, protests to love notes. It is a complex, dynamic system that includes other writers, other ideas, other texts, and other overlapping, entangled ecologies of the physical, social, historical, and cultural worlds we live in. Chalking is both social and material, and by mapping the interactions of and relationships between its human and nonhuman actors, we can explore the blurred boundaries of its rhetorical ecology and examine the disruptive potential within that ecology. Furthermore, we can uncover its practical uses: chalking can serve as visual rhetoric that can be studied in the composition classroom, connect students with the "real" world outside the classroom, and encourage them to engage in productive discourse. More broadly, informal discourse, however mundane it may seem, can guide or influence public rhetorics in often surprising, meaningful ways.
|Advisor:||Bradshaw, Jonathan L.|
|Commitee:||Huber, Beth, Wright, Laura|
|School:||Western Carolina University|
|School Location:||United States -- North Carolina|
|Source:||MAI 57/06M(E), Masters Abstracts International|
|Keywords:||Actor network theory, Cultural geography, Ethnography, Rhetorical ecology, Rhetorical field work|
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