Dissertation/Thesis Abstract

Ravel's "Don Quichotte à Dulcinée": A comparison of the interpretation of three baritones
by Lyu, Jeong Sang, M.M., California State University, Long Beach, 2016, 59; 10240202
Abstract (Summary)

Ravel’s last song cycle, Don Quichotte à Dulcinée, was originally composed with words by Paul Morand for the film Don Quixote (1933) directed by G. W. Pabst. Even though Don Quichotte à Dulcinée did not become part of Pabst’s film, the song cycle has become a favorite in the repertoire for baritones and basses.

The following analysis is a comparison of recordings by three baritone performers: Gérard Souzay, Dietrich Fischer-Dieskau, and José Van Dam.

Understanding a renowned singer’s style is important for anyone who aspires to become a fine singer because one can better identify their own positive and negative habits by studying these stylistic choices.

Indexing (document details)
Advisor: Anglin, David
Commitee: Talberg, Jonathan, Vail, Leland
School: California State University, Long Beach
Department: Bob Cole Conservatory of Music
School Location: United States -- California
Source: MAI 56/02M(E), Masters Abstracts International
Source Type: DISSERTATION
Subjects: Music
Keywords: Don Quichotte à Dulcinée, Ravel, Maurice-Joseph
Publication Number: 10240202
ISBN: 9781369375114
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