This thesis explores the distinct two-part polyphonic patterning in Lithuanian Sutartines to reveal how singers shape and/or experience their songs as musical weaves. The findings are based on original fieldwork as well as old ethnographic sources, which are (re)examined and interpreted through the lens of metaphor as a methodology.
|Commitee:||Stoeltje, Beverly, Sykes, Charles|
|Department:||Folklore and Ethnomusicology|
|School Location:||United States -- Indiana|
|Source:||MAI 53/01M(E), Masters Abstracts International|
|Subjects:||Folklore, East European Studies, Performing Arts|
|Keywords:||Music and weaving, Schwebungsdiaphonie, Sutartine, Sutartine chant, Unesco, Women and music|
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