Dissertation/Thesis Abstract

(Re)making men, representing the Caribbean nation: Authorial individuation in works by Fred D'aguiar, Robert Antoni, and Marlon James
by Gifford, Sheryl Christie, Ph.D., Florida Atlantic University, 2013, 262; 3585016
Abstract (Summary)

This dissertation proposes that West Indian contemporary male writers develop literary authority, or a voice that represents the nation, via a process of individuation. This process enables the contemporary male writer to unite the disparities of the matriarchal and patriarchal authorial traditions that inform his development of a distinctive creative identity. I outline three stages of authorial individuation that are inspired by Jung’s theory of individuation. The first is the contemporary male writer’s return to his nationalist forebears’ tradition to dissolve his persona, or identification with patriarchal authority; Fred D’Aguiar’s “The Last Essay About Slavery” and Feeding the Ghosts illustrate this stage. The second is his reconciliation of matriarchal (present) and patriarchal (past) traditions of literary authority via his encounter with his forebears’ feminized, raced shadow; Robert Antoni’s Blessed Is the Fruit evidences this process. The third is the contemporary male writer’s renunciation of authority defined by masculinity, which emerges as his incorporation of the anima, or unconscious feminine; Marlon James’s The Book of Night Women exemplifies this final phase of his individuation.

Indexing (document details)
Advisor: Saez, Elena Machado
School: Florida Atlantic University
School Location: United States -- Florida
Source: DAI-A 75/06(E), Dissertation Abstracts International
Subjects: Caribbean literature, Literature
Keywords: Gender, Literary authority, Matriarchal, Patriarchal
Publication Number: 3585016
ISBN: 978-1-303-76839-2
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