Dissertation/Thesis Abstract

Africa, Appalachia, and acculturation: The history of bluegrass music
by Perryman, Charles W., D.M.A., West Virginia University, 2013, 106; 3605866
Abstract (Summary)

Though primarily associated with white Southerners, bluegrass music is actually the product of over three hundred years of black and white musical interaction that occurred in the American Southeast. This document begins by reviewing the first complete definition of bluegrass music written by Mayne Smith. It then proceeds to explore the history of cross cultural exchanges in the South, particularly in the Appalachian Mountains, that began when the first slaves were brought to the New World. In the South, these interactions created the folk music that would eventually develop into country music and later bluegrass in the twentieth century. Black musical styles also directly influenced the father of bluegrass, Bill Monroe, especially through his contact with the blues musician Arnold Shultz. The banjo playing of Earl Scruggs, an essential element of bluegrass, also owes a significant debt to African-American banjo styles found in Scruggs's native region of North Carolina.

Indexing (document details)
Advisor: Wilkinson, Christopher, Beall, John
Commitee: Habarth, Gerald, Kohn, Andrew, Taddie, David
School: West Virginia University
Department: College of Creative Arts
School Location: United States -- West Virginia
Source: DAI-A 75/04(E), Dissertation Abstracts International
Source Type: DISSERTATION
Subjects: American history, Music
Keywords: Acculturation, African-american music, Appalachian music, Bluegrass, Country music, History
Publication Number: 3605866
ISBN: 9781303626548
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