Dissertation/Thesis Abstract

Twelve-Tone Cartography: Space, Chains, and Intimations of "Tonal" Form in Anton Webern's Twelve-Tone Music
by Moseley, Brian Christopher, Ph.D., City University of New York, 2013, 367; 3601934
Abstract (Summary)

This dissertation proposes a theory and methodology for creating musical spaces, or maps, to model form in Webern’s twelve-tone compositions. These spaces are intended to function as “musical grammars,” in the sense proposed by Robert Morris. And therefore, significant time is spent discussing the primary syntactic component of Webern’s music, the transformation chain, and its interaction with a variety of associational features, including segmental invariance and pitch(-class) symmetry. Throughout the dissertation, these spaces function as an analytical tools in an exploration of this music’s deep engagement with classical formal concepts and designs. This study includes analytical discussions of the Piano Variations, Op. 27 and the String Quartet, Op. 28, and extended analytical explorations of the second movement of the Quartet, Op. 22, and two movements from the Cantata I, Op. 29.

Indexing (document details)
Advisor: Straus, Joseph N.
Commitee: Hook, Julian, Lambert, Philip, O'Donnell, Shaugn
School: City University of New York
Department: Music
School Location: United States -- New York
Source: DAI-A 75/02(E), Dissertation Abstracts International
Subjects: Music
Keywords: Austria, Musical space, Transformation theory, Twelve-tone, Webern, Anton
Publication Number: 3601934
ISBN: 978-1-303-53689-2
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