Dissertation/Thesis Abstract

The laws of terrorism: Representations of terrorism in German literature and film
by Chen, Yannleon, M.A., University of Oregon, 2013, 72; 1542689
Abstract (Summary)

Representations of the reasons and actions of terrorists have appeared in German literature tracing back to the age of Sturm und Drang of the 18th century, most notably in Heinrich von Kleist's Michael Kohlhaas and Friedrich Schiller's Die Räuber, and more recently since the radical actions of the Red Army Faction during the late 1960s and early 1970s, such as in Uli Edel's film, The Baader Meinhof Complex. By referring to Walter Benjamin's system of natural law and positive law, which provides definitions of differing codes of ethics with relation to state laws and personal ethics, one should be able to understand that Michael Kohlhaas, Karl Moor, and the members of the RAF are indeed represented as terrorists. However, their actions and motives are not without an internal ethics, which conflicts with that of their respective state-sanctioned authorities. This thesis reveals the similarities and differences in motives, methods, and use of violence in Schiller, Kleist, and representations of the RAF and explores how the turn to terrorism can arise from a logical realization that ideologies of state law do not align with the personal sense of justice and law of the individual.

Indexing (document details)
Advisor: Anderson, Susan C.
Commitee: Klebes, Martin, Mathaes, Alexander
School: University of Oregon
Department: German and Scandinavian
School Location: United States -- Oregon
Source: MAI 52/01M(E), Masters Abstracts International
Source Type: DISSERTATION
Subjects: Germanic literature, Film studies
Keywords: Baader-meinhof, Die raeuber, Kohlhaas, Natural law and positive law, Red army faction, Walter benjamin
Publication Number: 1542689
ISBN: 9781303281457
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