My MFA thesis exhibition, Selected Works from the Collection of Michael Cavendish utilizes a curatorial process of selection and display to disrupt the authority associated with authorship. By utilizing curatorial actions such as selecting, organizing, displaying and writing, I am able to justify an object's presence. This critical approach, acknowledges the complex and dynamic space between object, creator, viewing context, and audience.
|Commitee:||Krumpak, Thomas, Ruwedel, Mark|
|School:||California State University, Long Beach|
|School Location:||United States -- California|
|Source:||MAI 51/05M(E), Masters Abstracts International|
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