Dissertation/Thesis Abstract

Musical improvisation and the creative process
by Hayes, Elliott Thomas, D.M.A., University of Maryland, College Park, 2012, 3; 3535647
Abstract (Summary)

Musical improvisation combines technical proficiency and musical intuition. Due to its interactive nature, improvisation provides an avenue of communication among all art forms. This dissertation project explores the collaborative aspects of improvisation involving a musician, visual artist, a small group of dancers, and videographer.

Video footage from two separate recording sessions provided hours of visual materials which were studied and edited. The first session was a live performance recorded in front of a studio audience. The second session was a two-day collaboration between musician and dancers in a studio space. The process of editing and compiling images with audio—an important element in this project—presented many unforeseeable challenges and lessons.

This recorded dissertation is comprised of seven music videos that demonstrate my ability as an artist in collaboration with visual artist-professor Richard Klank, dancers David Yates, Jamie Garcia, Raha Behnam, Rachel Wolfe and Adrian Galvin, and video artist Nguyên Nguyên. Each video represents an individual creative process involving musical performance, studio lighting, sound recording, and video editing.

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Indexing (document details)
Advisor: Fry, James, Ozment, Jon
Commitee: DeLio, Thomas, Klank, Richard, Manildi, Donald, Volchok, Mikhail
School: University of Maryland, College Park
Department: Music
School Location: United States -- Maryland
Source: DAI-A 74/05(E), Dissertation Abstracts International
Subjects: Music
Keywords: Collaboration, Creative process, Musical improvisation
Publication Number: 3535647
ISBN: 9781267879974
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