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Hindemith's Sonata for Viola, ope 11, no.4 A compositional and historical perspective
by Solano, Erica Angeline, M.S., California State University, Long Beach, 2012, 37; 1517793
Abstract (Summary)
The Sonata for Viola, op. 11, no. 4 (1919) manifests Hindemith's break from the High Romantic idiom, a departure that preluded a broader backlash against late nineteenth century aesthetic ideals in post-war Germany. This paper contextualizes the piece within Hindemith's oeuvre as well as within the changing aesthetics of Germany's Weimar period. The methodology includes a brief overview of his composition training and output prior to 1919, analysis of the influence of his WWI experience on his aesthetic approach, and the employment of counter-romantic elements in the Viola Sonata.
| Advisor: | Mueller-Stosch, Johannes |
| Commitee: | |
| School: | California State University, Long Beach |
| School Location: | United States -- California |
| Source: | MAI 51/01M(E), Masters Abstracts International |
| Source Type: | DISSERTATION |
| Subjects: | Music |
| Keywords: | |
| Publication Number: | 1517793 |
| ISBN: | 978-1-267-47420-9 |
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