Dissertation/Thesis Abstract

Politics, Improvisation, and Musicking in Frederic Rzewski's “Which Side Are You On?” from “North American Ballads”
by La Rose, Andrea A., D.M.A., City University of New York, 2012, 212; 3508081
Abstract (Summary)

Discussions of the role of politics in Frederic Rzewski's music generally stop at surface elements: the title of the work, the use of a particular song, and guesses as to what left-leaning audience the piece is directed at. Similarly, discussion of the role of improvisation in Rzewski's work begins and ends simply at the mention of its existence. Using transcription and analysis of improvisations from recordings of "Which Side Are You On?" from North American Ballads combined with ideas about modeling from Christian Asplund, musicking from Christopher Small, dialogue from David Bohm, and Rzewski's own writings about music, I demonstrate how the political manifests at every level of the music, enabling listeners and performers to experience a socio-political situation beyond mere sloganeering, and the essential role improvisation plays in creating that experience.

Supplemental Files

Some files may require a special program or browser plug-in. More Information

Indexing (document details)
Advisor: Straus, Joseph N., Taylor, Jeffrey
Commitee: Burstein, L. Poundie, Gann, Kyle
School: City University of New York
Department: Music
School Location: United States -- New York
Source: DAI-A 73/09(E), Dissertation Abstracts International
Source Type: DISSERTATION
Subjects: Music
Keywords: Dialogue, Improvisation, North American Ballads, Political music, Reece, Florence, Rzewski, Frederic, Transcription, Which Side Are You On?
Publication Number: 3508081
ISBN: 9781267336316
Copyright © 2019 ProQuest LLC. All rights reserved. Terms and Conditions Privacy Policy Cookie Policy
ProQuest